Category Archives: Some whimsical stuff

“I got nothin’,” Jason Offutt

Words Mean Things, Damn It. Use Them Right

Jason’s head.

My wife thinks I’m stodgy when it comes to words and when it comes to words I find that a compliment. Words mean certain things and when we use them incorrectly the world devolves into anarchy. Right?

Trigger Smith, owner of the New York East Village bar The Continental, took the abuse of the English language seriously in January. He banned customers from using the word “literally” because it is the “most overused, annoying word in the English language and we will not tolerate it,” according to National Public Radio.

I have no problem with literally when it’s used correctly. The problem is, it isn’t.

Figuratively: It sounds like it’s true, but it is not.

Literally: It’s actually true.

Good for you Trigger.

But the work of people like Trigger seems wasted when an organization such as Merriam-Webster comes out and says two words that don’t mean the same thing now do. Apparently, the dictionary folks are OK with “nauseous” and “nauseated” being synonymous. I guess I can’t trust them as far as I can throw their product.

“We must point out that nauseous, like many other words in our language, is remarkable in its elasticity and range of meaning,” Merriam-Webster posted.

Shut up.

Nauseate: Something makes you feel sick.

Nauseous: You actually are sick and probably going to hurl.

They’re not interchangeable and it’s not that hard to keep them straight.

“Language evolves,” my wife said when she got tired of listening to me rant, which is beginning to happen much more often. “Shakespeare made up thousands of words.”

I hate it when she makes sense.

Although she’s right that language evolves, if we don’t stick to the rules we eventually won’t be able to understand what anyone else is saying. It’s bad now. Have you ever tried arguing with a Texan?

Say “plethora,” I dare you.

Let me complain further:

  • I hate the word “plethora.” It is pretentious and wrong. It’s a medical term from the 1540s that means “an excess of blood.” So, go ahead and say you have a “plethora” of drink choices. I’ll assume you’re a vampire and act accordingly.
  • When someone is dragging something, the past tense is “dragged,” not “drug.” A drug is what I need to take to tolerate bad grammar.
  • Don’t use the word “just” unless you’re writing about why The Batman fights crime.
  • The word “really” is a waste of space.
  • Stop using “theory” when you mean “hypothesis.”
  • I dislike the word “lanyard.” It was once a manly sailing term. Now it’s used to describe the cord people use to hang keys, or Comicon badges.
  • Exclamation points are for the signature page in a high school yearbook. Be strong, use a period.
  • “ATM machine”? Do people not know what the M in ATM means? The same goes for PIN number.
  • There’s a difference between “everyday” and “ every day.” Figure it out.

My wife is right, language evolves, but when does that evolution simply become those who know better giving in to those who don’t?

A Word is a Word is a Word, Damn it

Sitting near the back row of pews at church (are protestants even allowed to sit near the front?) the congregation burst into song because the program told us to. Otherwise we just sit there and try not to make eye contact.

The hymn bothered me.

It wasn’t the message, nor the melody. It wasn’t even that the song had too many verses (some hymns can last as long as a sermon). It was because of a simple, easily avoidable grammatical error that made me nearly shout something I usually only shout during football games. I’m told shouting in my denomination is frowned upon because it’s not in the program.

I might be able to handle this misuse of the English language if it was a one-time deal, but it was in the refrain. The refrain.

The composer used “I” when he should have used “me.”


My grandmother was an English teacher, so growing up the use of language was something I had to pay more attention to than silly things like math. That kind of attention turned me into someone who’s not very much fun to talk with at parties.

Or at the grocery store.

Standing in a grocery store checkout line one day, perusing magazine headlines like “Kim and Kanye are Space Aliens from the Moons of Jupiter” (which I don’t doubt in the slightest), and “Sandra Bullock Channels Nostradamus; the End is Near,” I noticed a handmade cardboard sign on the credit card reader. It read, “This Machine is Broke.”

Really? Broke?

So, this device that is connected to every bank in the country is somehow out of money? I pulled a red Sharpie from my pants pocket and added an “n.” The man behind me laughed.

I can’t help myself. I’m OCD enough (my favorite rock band is OC/DC) to have been a newspaper editor, which made my head hurt. Here are some of the major offenders:

  • No matter how many times you use it, irregardless is not a word.
  • Pacific is an ocean, it doesn’t mean precise or exact.
  • Doughnuts are made out of dough. Donuts don’t exist.
  • Theatre is a British word meaning theater. Theater is an American word meaning theater. For all you theater types, stop trying to use the British version. That’s a level of pretentiousness that can only be pulled off by hipsters.
  • PIN number is repetitious. What do you think the N means?
  • Free gift is silly. If it’s not free, it’s not a gift, is it?
  • Fantastic doesn’t mean something is amazingly good. It means something is not real. If your dinner is fantastic, you’re going to be hungry later.
I’m serious about grammar. Don’t make me come over there.

But still, about that I/me thing.

“This composer is still alive,” I told my wife as I sat in front of my laptop. You bet I looked him up. “He has contact information on his website. I’m going to write to him and tell him he has a grammatical error in his hymn.”

She put her hand on my wrist. I looked up. She just shook her head.

Damn. What’s the point of being a grammar nerd if I can’t correct everybody?

A Little Love from the Local Press

Jason Offutt, Maryville’s best-known literary bogeyman, is at it again with more tales about the scary, spooky, supernatural and downright strange.

Offutt, a former newspaper reporter who is now a senior instructor of journalism at Northwest Missouri State University and a columnist for this newspaper, has made something of a name for himself as the author of books and articles about the paranormal.

“Road Closed: Twelve bloody stories to brighten your day,” now available through, is his 12th book, and the fifth dealing with topics beyond the realm of what most people would call daily experience.

What makes “Road Closed” a little different from anything Offutt has produced previously is that it’s fiction in the classic sense, a collection of 11 short stories and one 23,000-word novella.

Of course, one could argue that all ghost stories and other paranormal tales are fiction. But much of Offutt’s earlier work has a distinctively journalistic cast and consists of reports and “eye-witness” accounts he’s collected from people who really believe they saw something — though just what is open to question.

The stories in “Road Closed,” however, are pure imagination and include, among other things, yarns about a family farm where trees come to life and a convicted man fleeing his victim’s family through what amounts to a dystopian nightmare.

As for the novella, “Matriarchal Nazi Cannibals,” Offutt said he’s not too worried about reviewers providing readers with spoilers because “the title pretty much does that anyway.”

Here’s a quick summary that offers a few hints: “A small Missouri town where a Nazi matriarchy lies silent, hidden, waiting — and they’re hungry.”

Offutt said the story revolves around a group of college film students who “find something hidden,” but he swears the plot isn’t based on his own experience with young people studying media at Northwest.

“It came to me in a dream,” he said. “My wife told me, ‘You’d better write that down. That’s good.’”

Another of the tales, “A Just Cause” was adapted by former Northwest student Harrison Sissel into a screenplay that won Best Science Fiction Script at the 2011 Los Angeles Film and Script Festival under the title “The Balance.”

Offutt said he thinks readers will find his latest offering to be more than just a collection of spooky stories. Some of the tales, he said, are closer to related genres like horror and science fiction.

As a boy, Offutt was a big fan of the “Twilight Zone” television show, and he said he hopes “Road Closed” offers something of the same flavor. Though, unlike the classic anthology series created by Rod Serling, Offutt said readers looking for moral insights and reflections on the state of society may be disappointed.

“I write a lot of things that are what I like to read, and I write for entertainment,” he said. “It’s not a social message, it’s just wanting to have fun.”

And Offutt has a word of warning for readers who may have squeamish stomachs.

“The book’s subtitle is ‘twelve bloody stories to brighten your day,’” he said. “I’m not necessarily trying to scare somebody’s pants off, but hopefully there’s a little bit of that in there.”

Offutt has published short stories before in magazines, and he said the form places demands on a writer that are very different from those associated with creating a novel or a work of non-fiction.

“With a novel you’ve got 300 pages,” he said. “These short stories are maybe 5,000 words. One is only 700. The shorter it is the more challenging it is to be able to tell the story.”

Follow Jason Offutt on a Trip Into Shadows

Sift through the dark memories of a family farm where trees come to life. Run with a frightened young woman through quiet streets after a sinister priest’s smile clings to her like a spider’s web. Meet a convicted man who must flee the family of his victim in a dystopian nightmare. And visit a small Missouri town where a Nazi matriarchy lies silent, hidden, waiting – and they’re hungry.

“Road Closed: Twelve bloody stories to brighten your day” is Jason Offutt’s first book of short horror fiction, which includes the tale “A Just Cause” that won Best Science Fiction Script at the Los Angeles Film and Script Festival in 2011 as a screenplay entitled “The Balance.”

Luke Rolfes, author of ‘Flyover Country,’ says of ‘Road Closed,’ “Readers should put this book down at their own risk. Once these twelve sink in their teeth, it’s all over but the screaming.”

Now available as an ebook, and print.

Hmm, aluminium is a word? Thanks for nothing, Noah Webster

Back off, this is MY language now.

The British chap* on television said something that struck me as silly. Not the context, the pronunciation.

Given that Americans speak English, and the English speak English (strange but true), language comprehension problems between Americans and the English should not exist.
They, of course, do. There are enough subtle differences between the two versions of the English language to make a conversation between an American and a Brit sound like it’s in Klingon.

The man on television pronounced aluminum “al-U-min-E-um,” which I discovered is correct, although horribly uncomfortable to say. Go ahead; try it.

This particular pronunciation problem came from two sources.

The first being English chemist Sir Humphry Davy who in 1807 discovered a metal in alum and named this new metal alumium. He later changed the name to aluminum because “aluminum” sounded more (whatever word they used for “hip” in 1807). Davy’s colleagues in the chemistry department couldn’t let well enough alone and changed the spelling to aluminium in 1812 because they just couldn’t let Davy have his day in the sun, now, could they.

The second reason is that Noah Webster developed a God complex and completely mucked up American English.

Noah Webster, Jr., was a lexicographer, a pioneer in the field of textbooks, and yes, the dictionary dude. In 1828, he published “An American Dictionary of the English Language.” You see what he did there? It’s the “American Dictionary of the English Language,” meaning it’s not the real English language.

Ever wonder why former British colonies like Canada, Australia, New Zealand, South Africa, and freaking Belize spell color with a “U”? It’s because that’s how it’s spelled. Webster thought English spelling rules were inconsistent, so he tried to standardize them.

He cut out the “U” in words like colour and flavour, changed “ise” to “ize” in words like organise, and realise, turned tonne into ton, grey into gray (although for some reason he left the greyhound dog alone), and aluminium to aluminum even though compared to Sir Humphry Davy, he didn’t know jack squat about chemistry, or apparently spelling.

Damn straight.

It doesn’t stop there. Because of Webster’s tinkering even words spelled the same in both countries are not always pronounced the same.

In England, privacy is PRIV-a-cee, advertisement is Ad-vert-ISS-ment, schedule is SHED-u-al, mobile is mo-BILE, oregano is OR-EH-GON-O and garage is GARE-idge.

As an American, this bothers me. I grew up thinking the British talked funny. Turns out it was us. However, Americans aren’t the only villains here. Time, culture, and geography also play a part. But mostly Webster. Yeah, let’s blame most of this on him.

Aluminium indeed.


*You can’t use “chap” unless the voice in your head talks with a British accent. For example, “that German chap with the funny mustache gave us quite a fit during the war.” Or, “that New Guinea tribesman chap with the spear.” Wouldn’t sound right coming out of the mouth of a Texan, would it?

Ernest Hemingway’s Bloody Mary Recipe

Ernest Hemingway getting the job done.
Ernest Hemingway writing: Just getting the job done.

Writers drink. Or do drinkers write? Either way we should all turn to the masters to learn our craft. As for writing, Ernest Hemingway said, “Always stop for the day while you still know what will happen next.” As for what happened next, Papa Hemingway often had a cocktail … or seven. Below is Mr. Hemingway’s recipe for the perfect bloody mary.

Hemingway not writing: Having a few drinks, and taking his son fishing.
Hemingway not writing: Having a few drinks, and taking his son fishing for literary critics.

“To make a pitcher of Bloody Marys (any smaller amount is worthless) take a good sized pitcher and put in it as big a lump of ice as it will hold. (This to prevent too rapid melting and watering of our product.) Mix a pint of good Russian vodka and an equal amount of chilled tomato juice. Add a tablespoon full of Worcestershire sauce. Lea and Perrins is usual but you can use A1 or any good beef-steak sauce. Stirr (with two rs). Then add a jigger of fresh-squeezed lime juice. Stir. Then add small amounts of celery salt, cayenne pepper, black pepper. Keep on stirring and taste to see how it is doing. If you get it too powerful, weaken with more tomato juice. If it lacks authority add more vodka.”

Corporate-Speak: Don’t Let It Happen to You


The company email was painful.

“We are focused on enhancing our climate by creating a paradigm so that we may be a model for blah, blah, blah.”*

And you’re selling what, now?

As someone who’s dealt with politicians, large faceless corporations and small children for years, I’ve been attacked almost daily by gibberish. However, “enhancing our climate” is not just an attack, it’s the literary equivalent of an intentional food poisoning.

Trust me. I just threw up a little.

The point of communication, any type of communication, is to communicate. And the best way to do this is to choose words that actually mean something. Unfortunately, since we Americans have used the English language as long as we can remember, we think we can communicate. However, most of us have a weaker vocabulary than Koko the sign language gorilla. We have the mistaken idea that if something sounds good, it must be good. Right?


For example: “The positive aspects of the elements of our character factor into condition of the situation.”

blahI just made that up (hey, I could work in government), and although the sentence may seem important, all it really sounds like is official. Read it again and tell me if the sentence means anything. No, wait. I’ll save you the time. It doesn’t.

“I want French fries,” has meaning.

“I sat on a cat,” has meaning.

Even “I like both major candidates running for president,” has meaning. It means you’ve gone stark raving mad.

The point is Americans are busy people and we don’t have time to spend determining if we should listen to what you say, or if we can nod our heads and wander off to read in the bathroom.

Kenny Rogers, during simpler times.
Kenny Rogers, during simpler times.

Here’s a tip: If you use words like aspect, character, condition (unless you’re talking about the great 1968 song “Just Dropped In To See What Condition My Condition Was In” by Kenny Rogers and the First Edition), element, factor or situation, chances are you’re simply babbling in Corporate-Speak.

If something’s important enough to read, it better be written simply enough to understand. Here are Jason’s Five Steps to Battling Corporate-Speak:

Step one: Have an idea.

Step two: Chose words to express that idea. If you can’t define a word without saying “uh,” or “um,” don’t use it.

Step three: If you’re confused about words, you can find lots of them in a big red book. No, the one labeled “dictionary,” not the one labeled, “Better Homes and Gardens: New Cook Book,” although that one does have a killer recipe for roasted potatoes.

Step four: Put these words together. If the words don’t make sense, try putting them in a different order.

Step five: Read it aloud to Koko the sign language gorilla. If she doesn’t throw you through a window, you’ve advanced beyond Corporate-Speak and can now communicate in English.


*Company name withheld to protect the enhanced integrity of its character.

In Defense of the Period

grammar_mug_period_punctuation_humor_english_gift-r76d89f670b3540d7b6bf36ccdb496d07_x7jg9_8byvr_630News headlines rarely offend me. I’ve gotten over that. If an article attacks my political, social or ethical viewpoint, meh, big deal. Everyone has the right to an opinion.

But I do have a hot button and the Washington Post pushed it with: “Stop. Using. Periods. Period.”


Stop using the period? The Period? The period is a standard, one-size-fits-all sentence stopper. It tells the reader my statement, or indirect question, is over. It tells the reader I’m not asking a question (there’s another big, friendly fellow for that). Why so much hate for my pal the period?

Apparently young people don’t use them anymore.

Early writing was generally meant for the person who wrote it, so punctuation wasn’t all that important. The Greeks didn’t even put spaces between words. Everything ran together in one long sentence, like a line of thought from a kindergarten class. What’sthiscolorwhat’syournameIhaveacat.

This laissez-faire attitude about punctuation was understandable. Most people couldn’t read.

Printer Johannes Gutenberg. Thanks, man.
Printer Johannes Gutenberg. Thanks, man.

Then, in the 15th Century, Johannes Gutenberg invented the movable type printing press. For the first time the printed word became available to the masses (at least in Europe. The Chinese had developed the movable type printing press around 868 A.D.).

This outflow of reading material brought with it standardization in spelling and punctuation. Thank you, Johannes Gutenberg.

Which brings us to today. Young people text. Young people send instant messages. Young people have grown up in a world where they don’t have to talk with anyone to get their point across. This has done two things:

  • Seriously annoyed me.
  • Changed the way young people use language.

They talk in “textese,” which is the code word for “gibberish.” For example, “*$” means “Starbucks.” What? “NIFOC” means “nude in front of the computer.” That’s common enough it has its own abbreviation? And “KK” means “OK.” Which I assume must make some sort of sense to people too lazy to move their finger to the “O” key.

We have no idea what our voices sound like.
We have no idea what our voices sound like.

Young people also have new rules for punctuation.

If someone doesn’t use an exclamation point in a message, they’re angry. If someone uses a period, they’re angry. If someone uses a comma, semi-colon, or em dash they must be an NSA agent. Drop your phone in the pool and go hide at *$.

In texting, most of the time young people simply do not use punctuation at all. To go from one sentence to another they insert a line break – like a poem

that doesn’t rhyme

or take effort to compose

or make sense

Our language evolves. I get that. If it didn’t evolve we Americans would still spell “theater” with an “re.” In the early part of the 20th Century the word “theatre” morphed into “theater,” which actually makes sense. And don’t give me any “‘Theater’ is the building, ‘theatre’ is the art” crap. Tell that to an editor and they’ll laugh in your face and make you spell it right.

But ditching the period is silly, especially for the reason the Post article argues – that young people don’t use it anymore.

So, since the cool kids are doing something, we should all do it too. Excuse me, too

I mean, like the period is so 1439 A.D.


So, you want to write a novel. Let’s get started

BlankPage copy
A friend recently posted on social media (seemingly the only media people listen to anymore) that he had started writing a book. Good for him. He concluded his post with “I have never completed a fictional work in my life. Always gave up before I got through it.”

How many of you have done the same thing? I know I have.

After starting a couple of novels in college (and failing miserably), upon graduation I sat down and hammered out my first novel. Unfortunately, like all first-time novelists (or non-fiction writers for that matter), I had no clue what I was doing. I plopped down in front of my Mac Plus, loaded MacWrite, and typed whenever I got the whim.

Flashback to a simpler time.
Product of a simpler time.

Note, I said, “typed.” I don’t think I was really writing. I didn’t consider character development, setting, plot, or any of those other pesky elements of a story we’re taught in school. I fired on pure inspiration alone. And yes, I fired blindly.

About 10,000 words in I almost quit. I wanted to. I mean, I really, really wanted to because writing, contrary to what people who don’t write believe, is hard. Sure, it’s sitting in front of a computer, or typewriter, or blank pad of paper (like I did sometimes while writing that first novel, on the hood of my car, staring across a lake hoping inspiration would fall from the sky). But the act of writing, of composing entire new realities, of bringing new people to life, is nothing but hard work.

Don't question this man.
Red Smith. Great writer, snappy dresser.

One of my favorite quotes on writing, mainly because of its accuracy, has been attributed from everyone to Ernest Hemingway to Thomas Wolfe, but it was Pulitzer Prize-winning sports columnist Red Smith who said, “There’s nothing to writing. All you do is sit down at a typewriter and open a vein.”

Although I did everything wrong, two years later I finished my first novel out of pure persistence. It was awful. Simply terrible writing. It’s gone now, thankfully. I had the manuscript in a box for a while, but it was lost in a move at some point, and the electronic copy is on a 3.5-inch floppy. Good riddance.

I started four more novels after that, and stopped at roughly the 10,000-word mark for not doing what I’m going to outline in these five handy bullet points:

  • cannibals2
    Available now. Just click.

    Don’t let a good idea pass you by. Good ideas are everywhere; you just have to pay attention for them. Stephen King conjured the basic thoughts for his novel, “It,” when his footsteps on a dark, creepy bridge made him think of trolls. Danielle Sosin’s novel, “The Fate of Mercy Alban,” popped into her mind unexpectedly when touring a historic mansion. My latest work, the novella “Matriarchal Nazi Cannibals,” came to me in a dream. I woke, and told my wife who said, “You should write that story.” And I did. Thanks, honey.

  • The two main obstacles in writing a novel are starting it, and finishing it. Start at the beginning. No, scratch that. Don’t start at the beginning. Novice writers spend a lot of time staring at a blank page because they don’t know where to start. Don’t be that guy. Start somewhere – anywhere – which, strangely enough, is rarely the beginning of the story, but usually winds up being the opening of your novel. If you really need the beginning, or origin story, weave it throughout your work as the reason for the protagonist’s troubled soul. Start somewhere exciting, like when your hero is in trouble. Your goal is to get words on a page. This will help you do it.
  • Goals – set them. Novel lengths vary. A YA or romance may be as short as 50,000 words, whereas a thriller or science fiction epic could be 100,000-plus. Either way, those numbers are daunting. Your goal should not – I repeat NOT – be to finish the novel. (Yes, yes. That’s what we’re doing here. Bear with me). If finishing your novel is the goal, you’ll probably give up at 10,000 words. You need multiple goals. Your main goal should be to complete one chapter. After that’s finished, your main goal is now to complete another chapter, and so on. Relish the completion of each small goal. If your working goal is the book as a whole, you’ll quickly start begging yourself to quit. Try establishing a word count. Five hundred words a day, 1,000, 2,000, something attainable. Before you know it those chapters will add up.
  • I said 'Finish,' not "Finnish."
    I said ‘Finish,’ not “Finnish.”

    Don’t edit your work until you’ve finished the entire manuscript. First-time writers who keep going back to edit almost never finish their book. There will always be something to fix. Always. Graham Greene, author of “The End of the Affair,” famously stopped mid-sentence whenever he reached his daily word count. That way he could easily pick up where he left off without having to refresh his memory.By reading what he’d already written, he would have felt compelled to edit it. You’ll have plenty of time to edit your work AFTER it’s finished. The main thing that keeps writers from becoming authors is they don’t finish the book.

  • Now finish the damn thing. That is all.